Facing the Nemesis: Insights from Bach's Fugue in C-Sharp Minor

By Katie O'Rourke | 3 minute read
Half Body Porcelian Statue of Bach

One of my adult students refers to any particularly challenging but inspiring piece of piano music as his "nemesis." Although I believe we should love our piano repertoire, the word "nemesis" kept popping into my head as I recently reencountered Bach's Fugue in C-Sharp Minor from Book 2 of the Well-Tempered Clavier. 

A decade ago, this piece had pushed me to my limits and this past week, I noticed that my habitual way of playing this fugue was ingrained like a perfectly preserved time capsule. Oh, the horrors I found.

It had obviously been a rushed job. But more importantly, I was lacking a fundamental understanding of how my hand operated. This time, I actually felt offended by the ways I forced my fingers to stretch wide distances under the pressure of an unrealistically fast tempo.

Putting repertoire aside for a very long time provides a fresh and indispensable vantage point. I felt a deep sense of empathy for my past self, and was able to acknowledge that ways in which my drive to overcome the inadequacies of having a small hand had shaped my playing.

As I practiced this fugue, reflecting on my old approach and my new one, I noted my observations and wanted to share them with you!

  1. Intense 'pressure cooker' practice sessions, where we relentlessly push ourselves to conquer a challenge, will never lead to natural, healthy playing.

  2. Our experiences shape us profoundly. If our practice is steeped in fear, that fear becomes embedded in our playing. Conversely, if we foster a sense of safety, this too becomes an intrinsic part of our approach.

  3. The subtle physical sensations that guide our technique will emerge naturally, but only when we create a safe and supportive environment for them to flourish.

  4. We can craft a healthier learning environment by broadening our goals beyond the specific content of a piece of music. For instance, instead of directing ourselves to  “play this leap at goal tempo,” we could aim to “play slower to feel safer.”

I want to acknowledge that it was through the support of friends, colleagues, teachers, and therapists that I was able to form a new approach to playing.  We all need some self-love, love of the music we play, and love from our community to foster a healthy relationship with music!

Interested in more? Learn all about breathing, and how this fundamental function impacts your practice sessions!

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